• Home
  • Projects
    • If a coconut falls
    • Monumental as Anything
    • Soil Stories of Coranderrk
    • Shipping Roots
    • Blue Haze
    • Green Hell
    • Fleece Fugitives
    • Nganga toornung-nge dharraga Bunjil
    • Not a Drop to Drink Cartographies
    • Not a Drop to Drink
    • Convivial City
    • North Melbourne School of Displacement
    • The only rock we eat
    • Things I learnt in a hot tub
    • Common Knowledge and Learning Curves
    • Edible stories from the food bowl
    • the earth affords them no food at all
    • Changing Courses
    • Appetite for Construction
    • Abundance: Fruit of the Sea, Bounty of the Mountains
    • Redfern School of Displacement
    • Circular Questioning
    • Preservation
    • Temporary Spaces, Edible Places: New York
    • Temporary Spaces, Edible Places: Vancouver
    • If There’s Something Strange in Your Neighbourhood…
    • Temporary Spaces, Edible Places: Isle of Skye, Scotland
    • Temporary Spaces, Edible Places: London
    • This Must Be The Place
    • Vertical Villages (with ruangrupa)
    • Tropical Thunder
    • Gonflables et amuse-bouches
    • Living Under The Stars
    • Impossible Utopia
    • Emeraldtown: Gary, Indiana
    • ReMake Estate
    • Pemulwuy Dream Team
    • Whatever Floats Your Boat
    • Redfern Waterloo: Tour of Beauty
    • unReal Estate
  • Publications
  • Info
  • News
  • Contact

RealTime

25 September 2013

Gail Priest has written a profile piece on me for RealTime:
http://www.realtimearts.net/feature/In_Profile/11328

Image credit: ruangrupa ArtLab and Keg de Souza, Vertical Villages (installation view), 2013, mixed media, commissioned by 4A Centre for Contemporary Art. Image courtesy 4A Centre for Contemporary Asian Art and the artists. Photo: Zan Wimberley.